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Year 25, Issue 5

Becoming Little.

“Going from 100 people to a million people is not a big deal. The big point for me really was not when it was becoming huge, it was when it was becoming little.”
Linus Torvalds

2. Coming 12 Feb

3. Coming 19 Feb

Carnal Cinema returns!

25 years ago, Andrew Lowes wrote a series of satirical interviews with familiar but imagined cinema celebrities for Netribution. These were brought to life a few years later by French cartoonist Éric Dubois, with a brilliant set of illustrations, many of which have never been seen.

For the first time, these are brought together in a sewn-bound limited edition. From the poetry of Hollywood Hard man Brick McCracken to Roger Bland at the BBFC – the pre-smart phone comedy columns transport us briefly back to the last days of a mostly-male, mostly-pale, ego-littered film industry about to be changed forever with the arrival of YouTube, Netflix, TikTok and Me Too.

Available now @ www.CarnalCine.ma
A photograph of the Carnal Cinema book on a wooden table. It's hard-backed with cartoons across the top, Carnal Cinema against Orange beneath that, and some tiny text beneath that. A dark grey ribbon emerges from the bottom.

To reflect on Netribution’s 25 years since arriving online, we’ve published a year of issues reflecting on indie film and the web this last 25 years, and next 25.

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Contributors

Articles

A photo of Cath Le Couteur against a corkboard backdrop. Her name is on a title card overlaid with 'Shooting People co-founder' underneath.
February 3, 2026 · Nicol Wistreich · @nic · ,
Web pioneer Cath Le Couteur on digital utopias, closing Shooting People, film collectives & the future.
> “I’m not an anti-tech person. Shooters was built on technology. But I am mindful that we want technology that doesn’t extract, technology that enables people.” Long before social networks and smart phones in the mid-90s, Cath entered the world’s…
Screencap of Suchandrika's first article for Netribution in 2006 with title – "Look Who's Hawking - Meet Welsh Mountain Short Makers Alias McMahon & Jones"
January 30, 2026 · Suchandrika Chakrabarti · @Suchandrika · ,
Netribution, 25 years on
It’s 19-and-a-half years since I first emailed the late James MacGregor, in a state of major excitement: Netribution wanted to republish an article I’d written on work experience about short films! That was May 2006. A month or so before, my brot…
The text "Reintermediation, humans over algorithms, the movement building a new web" over a photo of a large suspension bridge nearing completion, the two sides coming together.
January 6, 2026 · Nicol Wistreich · @nic · ,
Reintermediation: humans over algorithms, restoring the web we lost
We swapped human curators for a profit-seeking algorithm. We replaced the independent record store manager who knows exactly the right tune to play at this moment, the video store clerk who’s watched 10,000 films, the magazine racks at the giant boo…
Jess Search portrait, out of focus background. She's cool, content, without obvious gender.
November 5, 2025 · Nicol Wistreich · @nic · , ,
Remembering Jess Search and the early noughties web
With ShootingPeople – the groundbreaking email community Jess Search co-founded with Cath LeCouteur – closing after 27 years, I’m revisiting a piece I wrote after Jess’s death in 2023 which looked back not only at her impact, but that happy era onli…
A classic Simpsons still of a hand holding a newspaper with a photo of an angry Grandpa Simpson, and the headline 'old man yells at cloud'
October 16, 2025 · Nicol Wistreich · @nic · , ,
Criticising the web as a tech grump
Thinking back to Web 1: there had been a tech giant: AOL and we’d all run away from it into the open web while it was gobbling up Time Warner, and there wasn’t another threat to the web until Microsoft, whose principle crime with Internet Explorer w…
Hundreds of marchers walking through Epping Forest with banners.
October 16, 2025 · Nicol Wistreich · @nic · , ,
Reflections on Epping: not just a community crisis but a content strategy
It’s sobering walking down a street 30 minutes from where you live – even in a crowd of 2000, majority women – to cries of ‘shame on you’ and ‘ped~~~~les’ from families stood in their drives with their kids. It’s not that the marchers didn’t have o…
Marbles - with a red, blue and green one, at a distance.
August 6, 2025 · Nicol Wistreich · @nic · , ,
My Mistakes: 1. Digital Asset Management
This isn’t how it was meant to be. No-one excited about the web in the late ’90s pictured an attention industry commodifying our consciousness to power a surveillance economy spying on us from birth, trading our data to segment & silo us, target adv…
August 5, 2025 · Nicol Wistreich · @nic ·
Clay Shirky in 2005: if it’s really a revolution, it doesn’t take us from Point A to Point B. It takes us from Point A to chaos.
“As with the printing press, if it’s really a revolution, it doesn’t take us from Point A to Point B. It takes us from Point A to chaos. The printing press precipitated 200 years of chaos, moving from a world where the Catholic Church was the sort…
July 15, 2025 · Tom Fogg · @tom ·
Ants
On the cusp of evening the ants explore the surface of the table. Some of them sprout wings, of a sudden, taking off unsteadily to mingle with the midges. I don’t know what the other ants are looking for. Not food. I’m sure of that. I haven’t dined…
A fractal triangle known as Sierpinski triangle on a teal background.
May 21, 2025 · Nicol Wistreich · @nic · , ,
Edito part 3: Three reasons this year seems right to talk about our 2022 project…
First the ActivityPub universe has gone from tech curiosity to something viable and used daily by millions. Second, mainstream monopoly tech – sacking moderating teams, trying to sway elections, and general indifference to the harms their huge power…
A fractal triangle known as Sierpinski triangle on a teal background.
May 21, 2025 · Nicol Wistreich · @nic · , ,
Edito part 2: 16 years later, the indie no-budget web of Netribution 1 & 2 has gone – enter ActivityPub.
It’s a strange time to be trying to build a standalone publication – just as most of the planet is focussed on funnelling their audience onto monopolistic platforms whose algorithms filter content like a dealer cutting attention-crack. If Tom and I…
A fractal triangle known as Sierpinski triangle on a teal background.
May 20, 2025 · Nicol Wistreich · @nic · , ,
I think it’s about time I explain why I’m doing this.
With Netribution’s 25 years fitting into three 8-ish year acts (publishing, research & development) I’ve applied Syd Field’s screenwriting framework to this year of issues and realised this issue would be the end of Act One. That seems a good time t…
Elena Rossini, holding a camera to take a mirror-selfie with baby on shoulder, bookshelf in background.
May 20, 2025 · Nicol Wistreich · @nic · , ,
Profile: Elena Rossini, pioneering Italian filmmaker charting a path away from big tech.
Self-declared ‘geriatric millennial’ Elena Rossini (@_elena) isn’t content to just make documentaries, self-distribute and market them thru a web of nicely designed sites – she’s pioneering in her use of tech away, and at home on the…
Black and white photograph of Imre Kertesz
May 20, 2025 · Stephen Applebaum · @RememberingStephen · ,
Nobel Prize winner Imre Kertesz (1929-2016), Fateless
“There are some people who suffer from this ‘[Auschwitz] disease’ for life, simply because of the experience they have gone through. Another group simply doesn’t talk about it. And a third group of people have learned to come to terms with these eve…
Director Lexi Alexander, behind a camera.
May 20, 2025 · Stephen Applebaum · @RememberingStephen · ,
Lexi Alexander, Green Street, 2006
“I was teaching a martial arts class and a couple of guys showed up in my class. They were talking about my team, Mannheim, and because of the way they were dressed and because they were talking about my team, I immediately knew they were hooligans…
Rachel Weisz portrait
May 20, 2025 · Stephen Applebaum · @RememberingStephen · ,
Rachel Weisz, The Constant Gardener, 2006
“I’ve never seen poverty on that level. A million people living in a very small space with no running water, no sanitation, no electricity, there’s a very high level of disease, HIV, and yet there’s that scene in the movie where the children come ru…
Portrait of Dilman Dilla
May 20, 2025 · Nicol Wistreich · @nic · , ,
Profile: Ugandan sci-fi author & filmmaker Dilman Dila, running a micro-studio on a web that rarely treats Africans as equals.
It’s not easy to quickly summarise award-winning Ugandan Dilman Dila’s work: he’s made Nepalese documentaries like The Sound of One Leg Dancing, published a short story collection A Killing in the Sun and acclaimed novels, made hit YouTube shorts li…
A dog looks out to see on the island of Paros.
May 15, 2025 · Tom Fogg · @tom · ,
The Terrible Tale of the Missing Turkey
Returning up the house road one hazy afternoon I was curious about the little orchard walled in on the T junction. I’d only seen it as an olive grove but this day a clementine caught my eye. In we loped, to have a mooch about, off leash, before dinn…
The four directors of No Man's Land collecting their Oscars
March 29, 2025 · Nicol Wistreich · @nic ·
Update: Backlash to Academy Awards response over No Man’s Land co-director’s ‘lynching’ leads to apology, new statement
Over 600 members of the Academy for Motion Picture Arts and Science have condemned the body’s response to the attack by West Bank settlers on the Hamdan Ballal, co-director of this year’s Best Documentary Oscar winner, No Man’s Land. Ballal reported…
Hamdan Ballal in a black suit with his Oscar at 2025's Academy Awards. Some kind of Oscar reception is going on behind him,
March 24, 2025 · Nicol Wistreich · @nic ·
This year’s Best Doc Oscar-winner attacked by settlers, arrested & released.
The Palestinian co-director of the 2025 Academy Award winner for best picture, Hamdan Ballal has been attacked, arrested and is – at time of writing – out of contact. The Israeli co-director of the Oscar-winning Yuval Abraham said Ballal was attacke…
A still from film Jimmy's Hall - Barry Ward and Simone Kirby embrace dancing as the world around them dances out of focus.
March 22, 2025 · Nicol Wistreich · @nic · ,
Jimmy’s Hall: a blueprint for community resilience in these times?
For host Gareth Evans the reason for this screening in this place, at this time seems obvious: Jimmy’s Hall is as much about the Hall – gathering space for a rural community struggling 10 years after the Irish Civil War against the church, state and…
A black rectangle.
March 21, 2025 · Nicol Wistreich · @nic · ,
Stephen Applebaum remembered
Stephen Applebaum, the best film interviewer I’ve known, died on February 7 2024 after his cancer returned. Netribution was incredibly lucky to publish his work for many years both online and in our books. Scrolling his Facebook page, it’s impossibl…
Photo of a 31 year-old Mark Ruffalo, with moustache, and his name overlayed.
March 21, 2025 · Stephen Applebaum · @RememberingStephen · ,
Mark Ruffalo in 2001, for You Can Count on Me
“I had a very difficult time. I actually quit at least 4 or 5 times. I couldn’t get a job. I had done 30 plays in Los Angeles and I couldn’t get a job. I was getting little jobs here and there, but no one was really recognising what I thought I had…
Photo of Chuck and Buck film - of the two guys -with the text 'Michael White: Chuck & Buck'
March 21, 2025 · Stephen Applebaum · @RememberingStephen · ,
Michael White, writer/actor for Chuck and Buck, 2001 (writer School of Rock, The White Lotus)
Michael White: With Chuck and Buck I do think one of the biggest taboos, at least in America, is still men relating with other men in an honest, vulnerable way. It’s something you rarely see in anything, and I just find it amusing. It’s not keeping…
A still from the Red Shoes overwritten in his signature 'Jack Cardiff'
March 21, 2025 · Stephen Applebaum · @RememberingStephen · ,
Jack Cardiff, cinematographer, in summer 2001
“When it came to my turn they started all this technical stuff and I said, ‘I don’t think I’m your man because I’m a dunce at a lot of these things’. “So there was a shocked silence and they said, ‘How do you expect to get on?’ I said, ‘Well I’m ve…
Poster for Peaches, a film from 2001, with a photo of Kelly Reilly in it.
March 21, 2025 · Stephen Applebaum · @RememberingStephen · ,
Kelly Reilly in 2001, for Peaches
So where did it all start? I can’t remember where it started. When I was very young I was always grabbing all my friends from down the street and making them put on plays with me. But I never, ever, ever, in my wildest dreams, thought that I could b…
The text John Boorman, Hell in Panama, over a black and white film still
March 21, 2025 · Stephen Applebaum · @RememberingStephen · ,
John Boorman in 2001, for The Tailor of Panama
“I think if you put people, actors for instance, under duress, something suddenly happens: you get past acting. Kubrick did that when he was making The Shining. I had dinner with Jack Nicholson and he said, ‘He did 140 takes. It took two days t…
Ken Rusell with plastic spectacles featuring a penis
March 21, 2025 · Stephen Applebaum · @RememberingStephen · ,
Ken Russell in 2001, for The Fall of the Louse of Usher
Would a film like The Devils be hard to make now? It would be impossible. No one would finance such a film, I would imagine. Hasn’t the British Film Industry improved? Well I’m not so mad on the British film industry. It seems to just produce one o…
Still from the Brutalist film - Adrian Brody, flanked by concrete columns on both sides gestures to the left.
March 19, 2025 · Nicol Wistreich · @nic · ,
The Brutalist: does the end justify the means?
Before I dig down, trying to deconstruct the film’s foundations, first off, this was the most sensory impact I’ve had at the cinema in a long time. It sounds as big as it looks, and it looks breathtaking. Part of that must be the VistaVision, a 70-y…
Two dogs basking in the sun.
March 19, 2025 · Tom Fogg · @tom · ,
Chili & Raja
They are in my care. I feed them once a day and walk them twice. I provide emotional security too, for their family is holidaying on other continents. This is why I am here. And they are too my living, breathing companions on this winter trip. Almos…
March 14, 2025 · Ben Blaine · @Ben · ,
“Two-thirds of all feature films ever made have been made since the turn of the millennium”
“I looked around the room which was rammed to the rafters and thought again that the numbers and the sentiment didn’t add up. If we all really agreed that this was over, why were we all there? A mass delusion?”
2nd Feb 2000, the back of a guy looking at a computer screen with the first Netribution website on it.
February 2, 2025 · Nicol Wistreich · @nic · ,
Netribution@25: month 1
25 years ago tonight Wendy Bevan-Mogg, Tom Fogg and I arrived at Dawn & Pete’s Peeping Toms Screening Night in Soho to unveil Netribution. This feels a time where some reflection may be helpful, so Tom and I have decided to make a 12 x monthly mini-…
Carnal Cinema - five cartoons in the style of Trainspotting
February 1, 2025 · Eric Dubois · @Eric · ,
Carnal memories
How Eric’s adventure to Glasgow gave Netribution’s Carnal Cinema an illustration for every (fake) interview.
A man sits with a white dog in his lap. And overlay of an old kilt-dressed Scotsmans with 'by James MacGregor' sits alongside.
February 1, 2025 · Nicol Wistreich · @nic · ,
“a light by which we could see each other better.” Remembering Leslie Lowes (James MacGregor)
“He had the warmth of a fire at the end of the world” Ben Blaine It’s impossible to forget Les’s voice. The crisp yet calm confidence from a career in BBC Radio, but anchored in County Durham bedrock. He remains the only writer I’ve known who…
Leslie Lowes with three puppies
February 1, 2025 · Ben Blaine · @Ben · ,
Remembering Leslie Lowes
I met Leslie 20 years ago through Shooting People. We were both loud and opinionated voices and I think initially we argued, if only because initially I argued with everyone. Some took this to heart and seem to have considered me unpardonable ever s…
Tom Fogg, in B&W lying on the beach in a photo taken by his son.
January 30, 2025 · Tom Fogg · @tom · , ,
Netribution Revisited: an interview with my younger self.
I want to talk to the young man I was from across time. I want to remember. Let’s start at where I met Nic. We were studying film production at Westminster Uni…
A line of blue refuse bags filled with empty bottles line up outside a student flat. Photo: Elio España
January 29, 2025 · Elio España · @Elio · ,
The Ghosts of Futures Past
Reflections on 25 years since Nic Wistreich & Tom Fogg founded Netribution, and predictions for the next 25.
A big old DV camera pointing at an old typewriter
January 10, 2025 · Nicol Wistreich · @nic · ,
25 years of Netribution…
Netribution 1 grew in the fertile ashes of the dotcom crash – brimming with excitement about DV cameras and distributing films online. It turned 25 years old on New Years Eve. It wasn’t meant to be like this.